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Independent culture, now more than ever, demands understanding, not enchantment. That is, perhaps, why fewer art objects cause delight, as more are intended to shock, to ensure that you are not left indifferent. In order to change our attitude to culture, we need to try to understand. Translated by Blair Sheridan. Because It Is Different Here. How to talk about it with people who may not know where Ukraine is? Jerzy Onuch: Talking about something that cannot be likened to anything or contrasted with the conditions in another country is exceedingly difficult.
How can you explain the situation in Poland or Ukraine to an American who has nothing like the Ministry of Culture, let alone the Ministry of Culture and National Heritage, in his domestic system?
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Some abstract talk about the fact that there are artists in Ukraine makes no sense. The information that Ukraine has cultural institutions does not take us anywhere either. Of course, they are artists and there are institutions. It seems that comparison is the key word here. It comes easy to us, Poles.
And you cannot overlook the context of twenty years of Ukrainian independence. It is and it is not. The boundary points in which Ukrainian contemporary art could flourish. Indeed, we elaborated patterns, mechanisms, and operations. They do operate and do not operate at the same time. However, this Soros-like thinking has been around until today: some things can be done by taking shortcuts. This is like building the artistic reality based on the money-come-first scheme. These are some ways of thinking in Ukraine that can be illustrated by analogy with the Ukrainian football.
Ukraine has two very good soccer teams: Dynamo Kyiv and Shakhtar Donetsk. However, their teams could be put together and play anywhere. The clubs do not exist because there are 50 or thousand Ukrainian boys having perfect exercise conditions and the most talented ones are selected for the first line-up. They exist and thrive because of two powerful business communities that decided to create world-class teams. This means something. Similar mechanisms have led to the upsurge in the specific dynamics of Ukrainian productions. Earlier, you mentioned the turning point in Ukrainian art.
The representatives of cultural ethnocentrism often do not realize that Ukrainian culture consists, in fact, of artistic creativity of all ethnic minorities and nations living in Ukraine. But the square-faced year-old Poroshenko is famous inside the country for his confident character, his aura of calm, and the fortune he made making chocolate before he went into politics. Immediately I drove to IKEA, bought 4 big suitcases, drove back to my apartment and packed all of my clothes into the big cases. The contents of such short stories are always the same, and they are mainly interested in peasant naivety and the naive charm of the peasant dialect… Fine literature it is! Before the voting, Oleh Tiahnybok, on the floor of the Rada, said:. Our staff members are trained, have medical books and are familiar with the nuances of eliminating complicated as well as hard-to-remove dust from surfaces.
Certainly, that turning point meant that the new generation began to gaze towards and integrate with the world of art outside Ukraine. But still, the temptation to take shortcuts and refrain from own initiatives is strong, especially that something has really clicked in the mechanisms governing art since the late s.
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The dominating trend is to hire a great curator from abroad and let them do everything for us. Great, but what is the ultimate outcome of that? Curators, artists, footballers are imported rather than sourced and trained in Ukraine; no pressure is put on developing the domestic art base indispensable for an independent and legitimate presence in the European cultural discourse. And only after the car had proved good indeed, they started to export it. Look, we are about to have the whole Edinburgh at our feet. Within three weeks of Edinburgh International Festival , events will be held featuring Polish artists!
My goodness! This is nine events per day! Another one is: How many people can we attract if we put up nine events every day?
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Well, forget the figures. When we look at what we. This is not what it is all about. The problem is that today we do make fifty films, but these are average films. This is even truer of Ukraine. There is an urgent need for the best possible culture base that will yield fruit in the long term.
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Some things were privatized, some ceased to exist; many institutions simply died out. The larger and more serious institutions were far more entangled in the previous system and, by extension, less prone to change and adaptation. They could not respond to the challenges of the time, they had no tools. Most of them were out-of-date, underfunded and doing bad in terms of infrastructure.
No change mechanism was available. The same was true about concert halls, galleries, museums, etc.
Indeed, new sporting arenas were built for Euro , yet as regards the cultural infrastructure, nothing has improved over the twenty years of independence. It can hold the audience of about people. Be serious. Infrastructure is absolutely fundamental. We were not able to find partners offering an adequate technical base.
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They have pursued their policies in many ways. On the other hand, the French have focused on the presentation of their culture and preservation of its integrity. Germany, the UK, and Poland have concentrated on modernization projects. We wanted to help those communities, individuals and institutions in Ukraine that were ready to come to grips with projects and take the risk.
Is the independent Ukrainian culture able to handle this on its own?
And how can it do it? What can Ukrainian NGOs do about it? These are staggering sums when given in absolute numerals. Therefore, the German presence is overwhelming. Their economic presence, which seems obvious, is followed by the cultural and scientific one. Speaking of non-governmental organizations in Ukraine, this sector is basically in good health. The question is if and to what extent it is effective.
Do not forget that the people who make up this sector and work in it are the same Ukrainian citizens as those who sit in government institutions. They all must seek ways of co-existence and functioning in the same tradition. And since that tradition is. Even if Ukrainian NGOs often say that they are struggling with it.
They do not practice what they officially declare. The same mechanism was applied when appointing former Soviet party secretaries. Is the definition of straight line different in Ukraine? It seems so. In Ukraine, there is a strong argument of the importance of local context and uniqueness. Consequently, some things cannot be done as they should be done, but they must be done differently.
Otherwise, it would be normal, whatever that word means. If we agree on some rules, then we need to stick to them. And if there are no rules, we can do as we please. And this is how Ukrainians prefer to go on. Because this is the guy we trust, he will do what we like the most. For this reason, fortunately and most probably, he will not trigger any structural or systemic changes.
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The other thing is short memory. Ukrainians refuse to accept certain achievements. They keep building things from scratch over and over again. Judging by the statements of various cultural figures, that institution actually never existed. There was something, but nobody really knows what. Therefore, we need to start building from scratch again. As if they were created ex nihilo, suddenly appearing out of nowhere, great and brilliant.
For some years, Lviv hosted an event called the Current Art Week. New organizers dismiss the old recognizable brand. They want to start building from nothing. Is Ukrainian art present in the Big Apple?
Is it traceable in the USA in any way? These are not only folk dance groups supervised by Orthodox churches.