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Side two begins with a minute rendition of " My Generation ", which was greatly extended to include a medley of other songs and various improvisations. These include a brief extract of "See Me, Feel Me" and the ending of "Sparks" from Tommy , and part of "Naked Eye" that was recorded for the follow-up album Lifehouse which was ultimately abandoned in favour of Who's Next. The album closes with " Magic Bus ", which included Daltrey playing harmonica and an extended ending to the song. The cover was designed by Graphreaks with the rubber stamp logo created by Beadrall Sutcliffe.
The first copies included a copy of the contract for The Who to play at the Woodstock Festival. The label was handwritten and included instructions to the engineers not to attempt to remove any crackling noise. This is probably a reference to the clicking and popping on the pre-remastered version such as in "Shakin' All Over". Modern digital remastering techniques allowed this to be removed, and also allowed some of the worst-affected tracks from the gig to be used; on CD releases, the label reads, "Crackling noises have been corrected! In a contemporary review for The New York Times , music critic Nik Cohn praised Live at Leeds as "the definitive hard-rock holocaust" and "the best live rock album ever made".
He felt that Live at Leeds functions simply as a document of "the formal commercial end of the first great stage of [The Who's] great career. In Christgau's Record Guide: Rock Albums of the Seventies , Robert Christgau asserted that, although side one is valuable for the live covers and "Substitute", the "uncool-at-any-length" " Magic Bus " and "My Generation" are not an improvement over their "raw" album versions.
Who biographer Dave Marsh has praised the album as "so molten with energy at times it resembles the heavy metal of Deep Purple and the atomic blues of Led Zeppelin On 17 June , over 36 years after the original concert, The Who returned to perform at the Refectory, at a gig organised by Andy Kershaw. Kershaw stated the gig was "among the most magnificent I have ever seen".
The original LP was released on 23 May in stereophonic format.
Townshend stated that he did this deliberately to mark a part he had edited due to several mistakes. The and CD mixes edit this section differently and do not have the backward portion. The backwards portion was retained on Greatest Hits Live.
In February , the album was reissued as a remixed CD which included more songs than the original vinyl edition, as well as song introductions and other banter that had been edited out of the original release. For the remix, new vocal overdubs from Daltrey, Townshend and Entwistle were recorded to address occasional flaws in the original tapes or performances. The additional songs were inserted before and in the middle of the original track list, but left "My Generation" and "Magic Bus" as the final two tracks. In September , a Universal Deluxe Edition version was released. The Deluxe Edition includes more chat between the songs, and the entirety of the band's Tommy set as performed at Leeds.
Again, new overdubs from the vocalists were employed at select points. The Deluxe Edition puts the Tommy set onto the second disc, moving "My Generation" and "Magic Bus" out of order to the end of the first disc. To fix this problem his performance at the Leeds show was overdubbed over these tracks of the Hull performance using digital technology.
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In November , the complete concert was released in set list order on iTunes and HDtracks , with restoration of much in-between song patter. In November , Universal Music released the complete concert as a three-disc album on the Polydor label, half-speed mastered at Abbey Road Studios , with a six-panel gatefold sleeve with assorted pictures and liner notes by Chris Charlesworth. All songs written by Pete Townshend , except where noted.
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From Wikipedia, the free encyclopedia. This article is about the live album by The Who. For other uses, see Live at Leeds disambiguation. This section needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. April Learn how and when to remove this template message. The New York Times. Next comes Greek Street, this would be like the upscale singles nightlife with swanky cocktail bars and fancy restaurants.
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